- 
Starting at time 0.00 at the beginning of the CD track, the sample runs from [1:51.8 - 1:53.3 secs].
- 
The sample is of the beginning of the 16th-note 'chorus' riff Edge plays (see below).
- 
The main delay is, as usual, a 3/16th delay (410ms at 110 bpm).
- As usual, too,  there's also clearly a mic bleed echo (~8ms = amps about 8 feet apart) surrounding the attack and each delay repeat.  
   ||-------10------10-----------10---
   ||---8-------8---------------------  These are the 5 notes played in the sample clip, the beginning of
   ||---------------------------------  the 16th-note 'chorus' riff.
   ||---------------------------------
   ||---------------------------------
   ||---------------------------------
| | Here's the sample clip I studied for this song 
(it's slowed down 4x maintaining the same pitch and matches the waveform in Figure 1) | 
 | 
| |  Here's an mp3 of me playing the main riff from the song, with no delay and, later, with delay.
 (I turned the delay on a few seconds into the recording).
 
 I used  a Fender Telecaster (middle pickup)
 into a $100 Line 6 Toneport on my PC with the setup on the right.
 
 I had to use a Korg SDD-3000 for the delay because
 the Toneport delay options don't (yet) include a digital
 delay with modulation.
 
 ('Solo' section at the end starts with the solo Edge played
 on the Rattle And Hum film and then is an ad-lib based on
 his style; something like what he might have played had he
 added a solo to the recording.)
 | 
 | 
For reference, the 'solo' section recorded above is something like:
               h.o.           p.o.                    p.o.      x16
|-----17-17----15-(17)-17---17-(15)-15-15----------|--15-(14)-----|------------17---------------17-------|
|--15-------15-----------..---------------19-17-..-|---------15---|-14-(15)-15---..--14-(15)-15----------|
|:------------------------------------------------:|:------------:|-------------------------------14-..--|
|:------------------------------------------------:|:------------:|--------------------------------------|
|--------------------------------------------------|--------------|--------------------------------------|
|--------------------------------------------------|--------------|--------------------------------------|
|  
 Figure 1: Waveform of the sample clip
 | 
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Your Comments
Exelent work, and really nice solo, it has been really helpful! Hope you continue uptading this website
with more work like  this!   Thank you
-- Jov , July 2, 2006
"chorus" riff -2 bars- :     
-eighth note rest; eighth note; sixteenth note; sixteenth note; eighth note; sixteenth note; sixteenth note; eighth note; eighth note.  
-( );              (B)8;        (E)10;          (B)8;           (E)10;       (E)10;          (B)8;           (E)10;       (E)10; 
-quarter-note rest + eighth note rest; eighth note + sixteenth note; eighth note + sixteenth note; eighth note.
-                                      (B)7.         ( );            (D)0;         (D)0;           (G)0.
I'm your fan. Thanks a lot. P.-F.
-- Pierre-Francois CANNET, DATE
Thanks a million.  I've been racking my brains trying to figure  that out.  
-- Gabe, Feb 11, 2007
Great site and really like your demos and the theory behind the  sounds. I have a Boss ME50 and am really struggling to get  Edge's delay sound right.  Would be great to hear from others  who have worked this out.
-- Michael, Mar 27, 2007
A fantastic resource, your theorising seems very convincing.  Love it.
-- Rabbi, June 17, 2007
That is fantastic. Unfortunately with the electro harmonix, there are no settings , so you have to play around to find the right sound and settings. anyone else using the same as me? Any input would but greatly appreciated! -ated! -ted! -ed! -d! 
-- Joe, July 14, 2007
That solo is just amazing. It sent chills down my spine.I just  cant stop playing it. Seriously you should release a cd. Thanks  for sharing your incredible talent.
-- Dennis, Dec 21, 2007
I still cant stop playing it, damn it!
-- Dennis, Dec 25, 2007
What about this solo?  http://youtube.com/watch?v=X0i93JSkYP4  @ 4:46
-- Nabeel, Dec 27, 2007
Hello, thanks for all your work, it s been very useful for me. I think WOWY is played with a stereo delay, the left delay is faster(431 MS) than the right so you can hear two repeats very near one from the other, i assume the delay you are describing here is the main delay (left), since the right it is with a lower volume.
-- benyvin, Mar 26, 2008
Am I missing something?  Does not the edge use a sampler to maintain the intro riff, thus enabling him to play the feedback notes on top?    as in this version  http://www.youtube.com/watch?v=_Ye8GLPUVsM     ??????
-- tim, Mar 22, 2011
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All text and pictures copyright © 2004 Tim Darling.